By Jennifer Kelley
The bird hasn’t heard the word of the flame,
She’s hidden behind grandma’s flowers,
choosing darkness over light.
And how like the masses she is today,
embracing modern blindness,
choosing truthiness over truth.
-continue reading here
Join us for PoeTea - a Sunday afternoon that blends poetry and art during an tea service in the main gallery exhibition of Kevin Sloan: A Collection of Rarities.
Join poets from Ventura and Santa Barbara counties as they read their their response to the art of Kevin Sloan.
A tea service with delicious pastries and finger sandwiches will be served during the readings with a discussion afterwards.
Sponsored by Coffee Bean and Tea Leaf!
More about poetry in the exhibition:
Over the past several months, this collective effort has relied upon the generosity of the artistic spirit, and a recognition of the important themes explored in Kevin Sloan’s paintings to create what critic, Carmine Starnino calls the “perfected expression of a sensibility in language”.
Ekphrastic poetry is a long-practiced literary form—art inspired by art—in which writers, undeterred and, sometimes, overwhelmed by the ineffable or, sometimes, searing emotions conjured by the visual arts, (re)turn to language to convey what had, until then, escaped expression on the page. Poets, just as painters, are generally known for their ability to pay attention to the smallest details while keeping in mind a larger message. Writers harness the power of descriptive language, or what the beloved poet, Mary Oliver, calls “the language of particulars” expressed in imagery and through the linguistic strategies of metaphor, simile, allusion and personification. And, though I am not a visual artist, it seems to me that painters rely on similar strategies to convey their messages, to evoke emotion and to inspire deep reflection.