Risk

Sign of the Times

Over his 30-plus year career, Graval has moved from the impulse to make himself known to an artistic practice that seeks to make American culture known to itself. In one of my first meetings with him, he recounted a story from his childhood wherein his uncle climbed a railroad bridge that yawned over the main road into town and painted the town’s name on the side in big block letters. A forgotten fishing village in the bayous near New Orleans, this act of place-making served to unite an impoverished community even if the act was illicit. It made an impression on Graval.

Graffiti Glossary: The More You Know

hit: To tag or bomb a surface

bomb:To apply graffiti intensively to a location. Bombers often choose to paint throw-ups or tags instead of complex pieces, as they can be executed more quickly.

Subway Art: a collaborative book by Martha Cooper and Henry Chalfant, which documents the early history of New York City’s graffiti movement. Originally published in 1984, it is known by many as ‘the bible’ of graffiti. Subway Art quickly acquired the dubious accolade of becoming one of the most stolen books in the United Kingdom.

Style Wars: an American 1983 documentary film on hip hop culture and its American roots, directed by Tony Silver and produced in collaboration with Henry Chalfant. The film has an emphasis on graffiti, although bboying and rapping are covered to a lesser extent.

To Bomb and Beautify: How RISK Got Up

Beautifully Destroyed, the name given by Kelly “RISK” Graval to his color field painting series, is an apt way to describe the paradoxical relationship between graffiti and walls. The element of destruction is embedded in the vocabulary—to hit, to bomb—as well as the ethos of graffiti, which stands in contrast to the undeniable beauty of the results—brilliant, saturated colors adorning previously blank walls with the soft diffusion and sharp lines of spray paint.

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