What Has Changed?
What have you seen changing or disappearing from the natural world? .
What have you seen changing or disappearing from the natural world? .
Through an array of mediums, internationally renowned artists Luciana Abait, Kim Abeles, Charles Arnoldi, Laddie John Dill, Cynthia Ona Innis and Claudia Parducci explore the possibilities of landscape from a conceptual perspective, offering a provocative and inspired take on a subject that has remained a fixture in the history of art, stretching the boundaries of traditional landscape art.
What do you want the world to look like in the next 100 years? .
Considered one of the most popular artistic styles even today, impressionism evolved throughout the late 19th century in France. At the time, Paris was the center of the western art world and was driven by the French Academy of Fine Arts’ prestigious Salon exhibitions. At the time, a group of artists with now-familiar names including Claude Monet, Auguste Renoir, Edgar Degas, Camille Pissarro, and others, were experimenting with a radically different style of painting characterized by quick, spontaneous brushwork, brighter colors and thick, textured paint strokes. Painting quickly, they emphasized capturing the effect of light on their subjects and creating a visceral sense of the immediacy of the moment.
In 1919, Gardena High School Principal, John H. Whitley, embarked on a program for students in the senior class that was devised to lend crucial support to their cultural foundation. He encouraged the students to acquire works of art for the walls of the high school as their senior gifts, describing them as “silent teachers”. The students’ first selection, made as a result of a visit to the artist’s studio, was Valley of the Santa Clara, by Ralph Davison Miller. The moody painting of storm clouds hanging over a rocky outcropping is of the lush agricultural river valley in Ventura County, running from the San Gabriel Mountains west to the Pacific Ocean. The students likely selected Miller’s painting both for its aesthetic properties and because it was a landscape of a rural farming area not unlike the Gardena Valley.
For nearly 40 years, until 1956, each senior class selected, purchased and donated works of art to the school, ultimately amassing an exceptional permanent collection of paintings in the Impressionist, figurative and landscape genres. Each painting was carefully selected and purchased from an artist of note, often reflecting historical content from that year. The high level of sophistication demonstrated by the students’ choices was the result of the aesthetic discourse and collaboration nurtured by the school.
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When thinking of beauty in traditional Western art, one’s mind may quickly jump to the lush portraits of John Singer Sargent’s elite ladies of society. These often- attractive wives of affluent patrons were composed in rich interior settings and featured lustrous fabrics as well as opulent clothing that conveyed a sense of style and wealth.
Defining Beauty, CMATO’s third annual international juried exhibition, features painting, mixed-media and video works by Zara Monet Feeney, Francene Levinson and Sungjae Lee. The artists were selected from nearly 1,000 submissions in all visual media as part of the museum’s open call.