Strings: Data and the Self
January 19, 2018 to April 15, 2018 | Created by Joel Kuennen & Riccardo Zagorodnev
This exhibition is recommended for mature audiences
Heather Dewey-Hagborg is a transdisciplinary artist and educator who is interested in art as research and critical practice. Her controversial biopolitical art practice includes the project Stranger Visions in which she created portrait sculptures from analyses of genetic material (hair, cigarette butts, chewed up gum) collected in public places. Read more >>
Branger_Briz is a full service digital agency and lab made up of artists, strategists, educators and programmers bent on articulating contemporary culture. Based in Miami FL, Chicago IL, and Cali, Colombia, they create work that provides context and perspective on the misunderstood aspects of the digital landscape. Read more >>
Amanda Turner Pohan received her BFA from The School of Visual Arts and an MFA from Hunter College. Pohan is currently working on The Linqox Criss Cycle, a five-part series of installations detailing the journey of Second Lifeavatar Linqox Criss as she slips between digital and physical embodiment. Each iteration manifests as scent, sculpture, sound, text, video and performance within a immersive environment. Through this project, Pohan asks, who is the avatar, where does her body begin and end, how does she thrive, what does she smell like. Read more >>
Strings seeks to make evident the transformation of the self through its dialectical relationship with data collection, monetization and replication. The desire to taxonomize and mobilize our subjectivity through data has produced a tendency capable of simultaneously synthesizing value and obscuring it.
Data is a force and we need to understand the power it holds over us and the power we yet hold over it. To engage with data, the traces we leave behind, we must first look at how it is collected. Our first two artists in Strings look at two very different types of traces we leave in the wake of our lives.
New media art has come to describe an open-ended genre of artistic practice that utilizes newly developed media technology to produce works of art. Media is a key term here in that it implies that technology is not exterior to human experience, but is used as a tool for human communication and connection.